Medium Power Amplifiers

Advantages of Chip-and-Wire Amplifiers over MMIC Designs for RF Applications

Executive Summary

Selecting the optimal amplifier technology has a significant impact on RF system performance in communications, radar, aerospace, and instrumentation applications. This white paper compares traditional chip-and-wire amplifier assemblies with monolithic microwave integrated circuit (MMIC) designs, highlighting their distinct performance advantages in critical areas, such as low noise amplifiers (LNAs), ultra-low phase noise amplifiers, and high-linearity amplifiers and supports these findings with real-world examples and quantitative data.

Introduction

The choice of amplifier technology can significantly affect system effectiveness, reliability, and longevity. While MMIC amplifiers are widely adopted for standardized, high-volume applications, chip-and-wire amplifier assemblies deliver unmatched customization and superior performance. Advantages that are especially valuable in specialized or performance-critical RF systems.

Key Performance Advantages

1. Superior Low-Noise Amplifier (LNA) Performance: Chip-and-wire amplifier assemblies give engineers the flexibility to select discrete transistors and precisely matched passive components, explicitly optimized for minimal noise figures. With careful hand-selection and meticulous tuning, these assemblies consistently achieve lower noise figures than typical MMIC counterparts. This translates directly into enhanced sensitivity and improved system-level performance, especially in radar and communication systems.

Example: A radar system using chip-and-wire technology achieved a lower noise figure of just 1.2 dB over a narrower targeted bandwidth. In contrast, a comparable MMIC solution delivered 2.1 dB but was designed for a much broader bandwidth, sacrificing noise figure for coverage. The lower NF of the chip-and-wire approach translated into a dramatically enhanced target detection range.

2. Exceptional Ultra-Low Phase Noise Amplifiers: In applications demanding precise signal integrity, such as high-frequency defense targeting and advanced radar systems, chip-and-wire solutions often outperform their MMIC counterparts. Their discrete construction enables fine-tuned optimization of both transistor selection and circuit layout, significantly reducing residual and additive phase noise across the RF chain.

Example: Testing has shown that chip-and-wire designs deliver residual phase noise improvements of up to 10 dBc/Hz (at a 10 kHz offset) compared to similar MMIC designs.

3. Enhanced High Linearity Amplifiers: Depending on the high linearity performance requirements, second-order harmonic behavior may provide distinct advantages over third-order two-tone levels, particularly when suppression of even-order harmonics is critical. Ultra-high linearity chip-and-wire amplifier designs often employ multiple push pull and Darlington circuits to cancel these harmonics, delivering effective out-of-band harmonic filtering. This prevents unwanted harmonic energy from crowding the fundamental and generating in-band spurious signals.

Example: A major defense contractor upgrading an over-the-horizon threat detection radar required IP2 performance levels not typically achievable with traditional MMIC designs. A standard 16-transistor hybrid chip-and-wire design delivered +100 dBm (IP2 two-tone), enabling the team to eliminate additional filters previously needed to suppress even order harmonics.

Customization and Adaptability

Modern chip-and-wire amplifier circuits deliver inherent advantages through their extensive customization potential. Unlike MMIC amplifiers, where integration can restrict optimization, chip-and-wire amplifier designs provide unmatched adaptability, enabling engineers to fine-tune every parameter to exact system requirements. This flexibility ensures maximum compatibility and improved performance across a wide range of RF systems and applications.

Reliability and Thermal Management

Chip-and-wire amplifiers inherently deliver superior thermal management, thanks to precise component-to-package placement and advanced surface-mount engineering. This improved heat dissipation leads to higher mean time between failures (MTBF), a critical advantage in demanding aerospace and defense applications.

Cost-Benefit Analysis

While MMIC designs may appear on the surface to be economically attractive initially for high-volume standard applications, chip-and-wire amplifiers deliver enhanced performance and reliability over time. Their superior operational lifetime, reduced maintenance requirements, and improved performance metrics often offset initial investment differences, proving highly cost-effective in specialized markets such as defense, aerospace, and critical communication infrastructures.

Conclusion

Chip-and-wire amplifier assemblies consistently outperform MMIC designs in key areas, including low noise, ultra-low phase noise, and high linearity. With the ability to be precisely optimized and engineered for superior reliability, chip-and-wire technology stands out as the clear choice for high-performance RF amplifier applications.

Download the PDF: Advantages of Chip-and-Wire Amplifiers over MMIC Designs for RF Applications

How are gain and noise figure related for low noise RF amplifiers?

In a low-noise amplifier (LNA), gain and noise figure are interrelated but distinct parameters. Generally, they exhibit an inverse relationship, improving one can often degrade the other, depending on the design trade-offs involved. Although gain and noise figure are optimized independently, achieving a high gain in the first stage of an amplifier is particularly beneficial, as it minimizes the contribution of noise from subsequent stages.

How does gain compare to noise figure on a single-stage LNA design?

The noise figure (NF) of an amplifier is defined as the ratio of the input signal-to-noise ratio (SNR) to the output SNR. A lower noise figure indicates better noise performance. One way to reduce NF is by operating the amplifier’s transistors near their maximum current capacity, which increases the signal amplitude relative to the amplifier’s intrinsic noise sources, thereby improving the output SNR.

As amplifier gain increases, both the signal and the internally generated noise are amplified. However, when the gain is sufficiently high, the input noise becomes the dominant contributor to the total noise, effectively reducing the relative impact of the amplifier’s own noise. This behavior is quantified by the Friis formula (or Friis equation), which describes how noise figure accumulates in cascaded amplifier stages.

In practical system design, placing a high-gain, low-noise amplifier (LNA) at the front end, ideally as close as possible to the antenna, significantly minimizes the influence of noise from subsequent stages. For this reason, the first-stage LNA typically has the most stringent noise and gain specifications in the entire receive chain.

Download PDF: How are Gain and Noise Figure Related?

Spectrum Control specializes in the design and manufacture of hybrid chip and wire amplifiers. Class A amplifiers differ significantly from their Class AB counterparts. In Class A designs, the devices are biased to conduct current throughout the entire input signal cycle. While this approach delivers exceptional spectral fidelity, it comes at the cost of efficiency, as the amplifier operates at a continuous 100% duty cycle. By contrast, Class AB amplifiers represent a middle ground between Class A and Class B operation. They are biased to conduct for more than half (180°) of the waveform, improving efficiency while reducing the distortion that is typical in pure Class B designs.

Download PDF: Class A vs. Class AB Operation

RF Amplifier Linearity and Noise

IP3 and IP2 values are measurements of an amplifier’s linearity. They indicate how much non-linear distortion the amplifier produces and how that distortion contributes to the output signal.

Although both IP3 and IP2 quantify distortion, they differ in the type of distortion measured and the impact on overall system performance. In general, higher IP3 or IP2 values correspond to greater linearity and better amplifier performance.

A “linear” amplifier increases the strength of the input signal without altering its original shape. In other words, the output signal is an exact scaled replica of the input. This characteristic is critical in applications that require high spectral fidelity, such as communication systems and precision instrumentation.

To better understand linearity and non-linearity, consider a real-world analogy using a guitar and a frequency generator.

A frequency generator is a highly linear system designed to produce a simple, “pure” tone. Playing a Middle C produces a single sine wave at approximately 261 Hz. In this system, the output amplitude is directly proportional to the input voltage, raising the input simply increases the output level. The resulting waveform is clean and consists of only one frequency.

By contrast, a guitar is inherently non-linear. When a string is plucked to produce Middle C, it does not vibrate solely at its fundamental frequency. Instead, it also generates vibrations at integer multiples of that frequency, known as harmonics. The pluck (input) produces a complex output waveform containing both the fundamental and its harmonics, resulting in a rich and natural tone.

In this analogy, the amplifier’s role is similar to how the intensity of the pluck affects the sound. A harder pluck increases loudness but also changes the harmonic balance, introducing additional distortion. These harmonics, integer multiples of the fundamental, create the overtones that shape the timbre of the sound.

Nonlinearity in the guitar arises from several factors that interact in complex ways: the stiffness of the strings, the material of the body, and the playing technique. Each introduces deviations from ideal harmonic behavior. This nonlinearity makes the guitar sound warm and expressive, whereas the frequency generator produces an artificial, sterile tone.

In this analogy, the amplifier’s role is similar to how the intensity of the pluck affects the sound. A harder pluck increases loudness but also changes the harmonic balance, introducing additional distortion. These harmonics, integer multiples of the fundamental, create the overtones that shape the timbre of the sound.

Nonlinearity in the guitar arises from several factors that interact in complex ways: the stiffness of the strings, the material of the body, and the playing technique. Each introduces deviations from ideal harmonic behavior. This nonlinearity makes the guitar sound warm and expressive, whereas the frequency generator produces an artificial, sterile tone.

In amplifiers, similar effects occur. Nonlinearities cause the output signal to deviate from a perfectly scaled version of the input. These distortions can originate from the amplifier’s fundamental design, component quality, or operating environment. When an amplifier operates nonlinearly, frequencies within the input can mix, producing new frequencies that are the sums and differences of the original ones. These intermodulation products are unwanted because they are not harmonically related to the original signal.

No amplifier is perfectly linear, every RF component exhibits some degree of nonlinearity and will eventually reach a point of saturation where the output can no longer increase proportionally with the input. For this reason, linear amplifiers are designed to operate within a specified range where their linearity and thus IP2 and IP3 performance is optimized.

What is an Intercept Point?

• The intercept point is a mathematical construct used to describe an amplifier’s linearity. It represents the theoretical input power level at which the power of the desired output signal and the power of the distortion products (typically intermodulation products) would be equal.

• A higher IP2 or IP3 value indicates a more linear device and greater resistance to distortion, meaning the amplifier can handle stronger input signals before nonlinear effects become significant.

• In practice, amplifiers reach their 1 dB compression point (P1dB) and begin limiting output power well before the intercept point is actually achieved. The intercept point is therefore used as a figure of merit rather than a directly measurable condition.

Why is IP3 more important than IP2?

Third-order distortion products typically appear very close to the fundamental signal frequencies, making them difficult to suppress using standard filtering techniques. These unwanted signals can fall directly within the receiver’s operating band, degrading sensitivity and overall performance.

For this reason, IP3 is often considered the most critical linearity parameter for a receiver. It directly reflects the system’s ability to maintain clean signal integrity and operate effectively in environments with strong, closely spaced signals, such as crowded or high-interference frequency bands.

When is IP2 more important than IP3?

IP2 is generally less critical than IP3 in superheterodyne receivers because second-order distortion products typically fall outside the desired signal band and can be filtered out more easily.

However, IP2 becomes crucial in direct-conversion (zero-IF) receivers, where second-order distortion can create unwanted DC offsets or low-frequency artifacts that directly interfere with the desired signal. In such architectures, maintaining a high IP2 is essential to ensure accurate demodulation and minimize baseband distortion.

Download the PDF: IP3 vs. IP2